In my continuing bid to lighten the load, every day I take a book, a piece of art, a photograph or a household item out the door and leave it where someone will find it. Whatever the item, it's always gone when I walk past the spot on my way home.
But downsizing my household doesn't mean I no longer add to my collections. Au contraire! As you can see by the photos, I collect antique Bedouin, Palestinian and Jordanian jewelry. These necklaces are favourites purchased during recent trips to Jordan. The half-moon necklace (above) features double-sided Arabic inscriptions from the Koran, as well as teal-blue glass beads and antique coins. The pendant's heavy silver chain is handmade.
The necklace is photographed with a "1001 Nights" raw silk wall-hanging. It took six women from the Jordan River Foundation's textiles division six months to hand-stitch each section, then put it all together.
The Italian blue glass beads in the necklace at right are nearly 300 years old. This rare piece started out as traditional Arabic prayer or worry beads. When a baby was born into a family, more beads and silver pieces for good luck were added and the piece was transformed into a necklace. The photograph below shows a close-up of a Palestinian coin from 1942. Note the inscriptions in both Hebrew and Arabic, in less volatile times.
The necklace is photographed on top of a vintage Moroccan wedding blanket, courtesy of my lovely friend Maryam of My Marrakech. You can see her picture in the portraits section of my new photography website.
London
David and I are just back from a whirlwind trip to London. Thursday we raced around all day for business and errands. I had a fascinating conversation about the Sudan and the Middle East with an Ethiopian cab driver. I also saw a very tall model in a thin summer frock shivering in the cold at a photo shoot in Hyde Park.
After an early dinner in an Italian restaurant, David and I watched the recap of the British election debate, round two. On Friday, we visited family and a certain adorable ten-week-old baby.
Lunch was an excellent red pepper hummous flatbread with feta cheese at The Minnow in Weybridge, before racing off to catch yet another train (by the time we arrived in Paris, we'd ridden nine trains in one day).
Eurostar was packed, due to the backlog of passengers stranded when Icelandic ash halted European air traffic for six days. Even the jump seats between carriages were filled. At a specialist camera shop in London, the dealer told me he'd been booked to fly to Iceland to photograph the volcanic eruptions and celebrate a friend's upcoming nuptials. Instead, they went to Ireland. He said, "Change one letter in the name of the country and by the time we left, we didn't know the difference." In other words, they had quite the merry fete!
Paris
Back in Paris and nursing a sore throat, I watched War Photographer, the award-winning documentary about James Nachtwey. I was dismayed to read that Nachtwey's advertising for an UNPAID intern for three-months. No matter the experience an intern would gain from working with Nachtwey, the intern would have to pay his own room and board in New York - an expensive proposition by any stretch of the imagination.
In principle, I don't believe in unpaid internships. At the very least, interns should be paid a minimum wage, no matter how much valuable experience he or she might gain from working with a master photographer!
I also watched Annie Leibovitz's Life through a Lens, produced by her sister. Such a contrast between the ways Nachtwey and Leibovitz work. On the train to London, I read Susan Sontag's essays On Photography, which seem just as relevant today as when she wrote them in 1977.
My artist friend Lee is in Paris and if I can kick this cold to the curb, we're planning some photo jaunts at obscure spots around town. I also have a photographic essay to finish and a jaunt to Amsterdam to plan, as well as some routine doctor's appointments. Am hoping to catch up with your blogs, too!
What's keeping you busy and energised these days?
A Palestinian coin from 1942 is among silver talismans added to antique glass prayer beads.